Please use this identifier to cite or link to this item: https://er.chdtu.edu.ua/handle/ChSTU/9374
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dc.contributor.authorКасьян, Тетяна Костянтинівна-
dc.contributor.authorСіра, Оксана Валентинівна-
dc.date.accessioned2026-04-06T09:58:59Z-
dc.date.available2026-04-06T09:58:59Z-
dc.date.issued2024-
dc.identifier.issn2076-586X (print)-
dc.identifier.issn2524-2660 (online)-
dc.identifier.urihttps://er.chdtu.edu.ua/handle/ChSTU/9374-
dc.description.abstractУ статті аналізуються основні види орнаментів трипільської культури та їх вплив на сучасний етнодизайн, які є не тільки естетичним елементом, а й носієм культурних та історичних зав’язків у системі підготовки фахівців.uk_UA
dc.description.abstractIntroduction. The article examines the main types of ornaments of Tripoli culture and their influence on modern ethnodesign, which are not only an aesthetic element, but also a carrier of cultural and historical ties. Purpose. Results. The legacy of the Trypil culture is still traced in modern culture and art, especially in Ukraine, which laid the foundations of the Ukrainian worldview, which are still found in folk traditions. Motifs of Tryplian ornaments are used in decorative art and design. The study of this culture helps to better understand the development of human civilizations in Europe, in particular the Tripoli pottery, which is the hallmark of the Tripoli culture. Originality. The article reveals the heritage of Tripoli culture, which is a unique phenomenon, a great national treasure and a source of inspiration for modern artists and designers who use these traditional motifs in their works. They serve not only as an element of national identity, but also as a means for deep research and understanding of ancient cultures and their influence on modernity. The ornamentation of Trypil culture continues to inspire modern artists and designers who use these traditional motifs to create modern ethnodesign. They serve not only as an element of national identity, but also as a means for deeper research in this field. Conclusion. In light of globalization, many brands and design projects seek to use local cultural elements in their work to emphasize the uniqueness and authenticity of their products. Ornaments of the Tripoli culture help to connect modern products with deep historical traditions that come from the forces of the land where this culture was born. Modern designers can use Tripoli symbols, nourished by sources of ancient spiritual tradition, not only as decorative elements, but as a way of conveying certain ideas or values. Studying and interpreting ancient symbols can lead to a deeper understanding of their meaning in a modern context.uk_UA
dc.language.isoukuk_UA
dc.publisherВісник Черкаського національного університету імені Богдана Хмельницького. Серія: Педагогічні наукиuk_UA
dc.subjectтрипільська культураuk_UA
dc.subjectорнаментuk_UA
dc.subjectсимволікаuk_UA
dc.subjectмистецтвоuk_UA
dc.subjectетнодизайнuk_UA
dc.subjectпідготовка фахівців з етнодизайнуuk_UA
dc.subjectTryplian cultureuk_UA
dc.subjectornamentuk_UA
dc.subjectsymbolismuk_UA
dc.subjectartuk_UA
dc.subjectethnodesignuk_UA
dc.subjecttraining of specialists in ethnodesignuk_UA
dc.titleВплив орнаментів трипільської культури на сучасний етнодизайнuk_UA
dc.title.alternativeInfluence of ornaments of Tripil culture on modern ethno-designuk_UA
dc.typeArticleuk_UA
dc.citation.issue3uk_UA
dc.citation.spage139uk_UA
dc.citation.epage145uk_UA
dc.identifier.doihttps://doi.org/10.31651/2524-2660-2024-3-139-145-
Appears in Collections:Наукові публікації викладачів (ФГТ)

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