Please use this identifier to cite or link to this item: https://er.chdtu.edu.ua/handle/ChSTU/9374
Title: Вплив орнаментів трипільської культури на сучасний етнодизайн
Other Titles: Influence of ornaments of Tripil culture on modern ethno-design
Authors: Касьян, Тетяна Костянтинівна
Сіра, Оксана Валентинівна
Keywords: трипільська культура;орнамент;символіка;мистецтво;етнодизайн;підготовка фахівців з етнодизайну;Tryplian culture;ornament;symbolism;art;ethnodesign;training of specialists in ethnodesign
Issue Date: 2024
Publisher: Вісник Черкаського національного університету імені Богдана Хмельницького. Серія: Педагогічні науки
Abstract: У статті аналізуються основні види орнаментів трипільської культури та їх вплив на сучасний етнодизайн, які є не тільки естетичним елементом, а й носієм культурних та історичних зав’язків у системі підготовки фахівців.
Introduction. The article examines the main types of ornaments of Tripoli culture and their influence on modern ethnodesign, which are not only an aesthetic element, but also a carrier of cultural and historical ties. Purpose. Results. The legacy of the Trypil culture is still traced in modern culture and art, especially in Ukraine, which laid the foundations of the Ukrainian worldview, which are still found in folk traditions. Motifs of Tryplian ornaments are used in decorative art and design. The study of this culture helps to better understand the development of human civilizations in Europe, in particular the Tripoli pottery, which is the hallmark of the Tripoli culture. Originality. The article reveals the heritage of Tripoli culture, which is a unique phenomenon, a great national treasure and a source of inspiration for modern artists and designers who use these traditional motifs in their works. They serve not only as an element of national identity, but also as a means for deep research and understanding of ancient cultures and their influence on modernity. The ornamentation of Trypil culture continues to inspire modern artists and designers who use these traditional motifs to create modern ethnodesign. They serve not only as an element of national identity, but also as a means for deeper research in this field. Conclusion. In light of globalization, many brands and design projects seek to use local cultural elements in their work to emphasize the uniqueness and authenticity of their products. Ornaments of the Tripoli culture help to connect modern products with deep historical traditions that come from the forces of the land where this culture was born. Modern designers can use Tripoli symbols, nourished by sources of ancient spiritual tradition, not only as decorative elements, but as a way of conveying certain ideas or values. Studying and interpreting ancient symbols can lead to a deeper understanding of their meaning in a modern context.
URI: https://er.chdtu.edu.ua/handle/ChSTU/9374
ISSN: 2076-586X (print)
2524-2660 (online)
DOI: https://doi.org/10.31651/2524-2660-2024-3-139-145
Issue: 3
First Page: 139
End Page: 145
Appears in Collections:Наукові публікації викладачів (ФГТ)

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